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Underground Thursday: “Jimmy’s Gang” by Parov Stelar

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by on May 10, 2012 at 3:37 pm

Tomorrow night, Friday, May 11, I will be DJing at the Lush & Lively cocktail hour at the Time Out New York Lounge at New World Stages 340 West 50th Street (between 8th & 9th Ave) from 6:00 PM to 9:00 PM. The music emphasizes horns and strings, so there will be jazz, latin, international orchestral and big band pop from France to Kyrgyzstan, electro-swing (like this new single from Parov Stelar)  and – of course – lots and lots of disco. The Cosmo special is only $3 from 6:00 PM to 7:00 PM, and there are $5 drink specials until 9:00 PM.

Video after the jump

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Theatre Review: “Nice Work If You Can Get It”

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by on May 5, 2012 at 2:17 am

Every few years somebody grabs the songbook of some great American songwriter, and puts together a musical pastiche of old-fashioned musical comedy. There’s Crazy for You, and even the version of Anything Goes currently playing on Broadway falls partially in this category. So now we have Nice Work if You Can Get It, which takes the Gershwin’s tunes and puts them together with a thin plot loosely based on the 1926 Gershwin show Oh, Kay! Essentially, playboy boy Jimmy (Matthew Broderick) meets bootlegger girl Billie (Kelli O’Hara) and mayhem ensues. These shows are usually feather-light confections, and the diverting Nice Work is no different.

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Indie-Pop Trio fun. Stand Up For LGBT Rights!

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by on May 4, 2012 at 2:59 pm

fun.

Their song “We Are Young” has been all over the radio, in a Chevy Sonic commercial, and covered on Glee.  The band fun. has exploded from indie to pop culture success lately and would like to use  their success to help out the LGBT community.  The Washington Post is reporting fun. is hoping on establishing a not-for-profit marriage equality organization.  All three members are straight but are passionate advocates of the LGBT community.

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Theatre Review: “Don’t Dress for Dinner”

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by on April 26, 2012 at 11:33 pm

Playwright Marc Camoletti’s Don’t Dress for Dinner doesn’t quite have the insane edge of his Boeing-Boeing, but it’s still very entertaining in that same sex farce vein. Farce is, for whatever reason, suddenly hot again (to my delight), so there’s some competition in town – Don’t Dress for Dinner isn’t a world-beater in this arena, but it can certainly hold it’s silly head up high.

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Cabaret Review: Marilyn Maye

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by on April 26, 2012 at 1:16 am

Ella Fitzgerald once called Marilyn Maye “the greatest white female singer in the world.” I’ve now seen her several times in cabarets, and I can tell you that’s no exaggeration. There are younger singers who might posses more powerful voices, but I can think of no other singer who possesses Maye’s combination of interpretive ability, rhythmic verve and vocal range, still the envy of singers many years her junior.

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