
Forbidden Broadway has relentlessly and lovingly assaulted the Great White Way since 1982, when Gerard Alessandrini, then a struggling singer-actor, created the first edition for himself and his friends to perform. After a break between 2009 and now, Forbidden Broadway is back with a vengeance in this new edition sub-titled Alive and Kicking. The show, as always, is wickedly clever from the “Prologue”: A quartet wanders around the theatre district, stumbling down the aisle, saying “isn’t this the theatre where Forbidden Broadway used to play?” and then break into music from Brigadoon – a distant chorus chanting “Broadway’s on the brink-of-doom, brink-of-doom.” Alessandrini always has an obvious soft spot for certain shows, and this season it’s Newsies, which he mostly dishes for its almost-too-frenetic energy. Some of the harshest barbs go to Once in “Once is Enough”. The “Finale”, as often is the case for Forbidden Broadway, is a love note to the future of musical theater. Alessandrini seems to see plenty of hope (which he didn’t in 1982), and that’s a very good sign.
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For more reviews and interviews by Jonathan Warman, see his blog Drama Queen.
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